I’m excited about the upcoming conferences and festivals where I’ll be showing my Thesis work this Fall (which include the ACM Conference on Creativity and Cognition at Georgia Tech and Maker Faire at the New York Hall of Science). I will continue my work as a designer (and as a perpetual student of design) with relevant posts at a new blog. Thanks for reading.

May 15, 2011 (Sunday)
Interfacing: Dynamic space as alternative to screen interactions
MFA DT Thesis Symposium
Kellen Auditorium

Above is a video of my final Thesis presentation at Parsons The New School for Design. The panel included Matt Ruby, Brett Burton, Burcum Turkmen / Katie Koepfinger, Bryant Davis, Ashley Ahn, and myself. The talk concluded with a discussion between the panel and two respondents, Daniel Iglesia and Zach Lieberman.

To see the panel in its entirety (which includes a discussion with respondents), click here.

We’ll have a suite of these sound apps released this summer!

The show is open daily from May 7 – 23, 2011 (10am – 6pm). Here is a video walk-through I put together:

For more information on the Thesis show, timing of the talks, and other related events, head to the MFA DT Thesis site here.

A few classmates and I tried it out once I got the amp plugged in. I invited the folks that run the gallery and build most of the displays for the work in Kellen Gallery to test it as well. Watching everyone have such a good time made the long hours over the past few weeks and months all worth it.

Here is a video of a few of the folks who used the piece while I was setting up:

The Gallery show runs from May 7 – 23, 2011 at Parsons The New School for Design (The Sheila C. Johnson Design Center, 2 W 13th Street, Kellen Gallery), and it is open to the public so come on by. The opening party is on the evening of May 8th (7pm), and Symposium talks are on May 14 and 15.

For more information on the Thesis show, timing of the talks, and other related events, head to the MFA DT Thesis site here.

I incorporated a number of updates to both the software and hardware, which included:

• play head movement tied to computer clock for more accurate timing
• “sliders” along the right and left edges to control speed and volume
• updated oscillators that generate sounds within openFrameworks application
• new acrylic top that diffuses light more evenly
• purposefully designed shapes and colors for acrylic pieces used to make sounds

The comments centered specifically on the sounds that were generated by the application, and they also reaffirmed my belief that when the sounds provide more distinctive characteristics (such as range of octaves and speed of attack), users are able to compose without obvious or deliberate visual feedback.

Below is a video demonstration I did of this updated interface as well as images from the final tests. Headphones are recommended (low notes do not play well on computer speakers):

play{LFPulse.ar((Hasher.ar(Latch.ar(FSinOsc.ar((1..7)!2),
Dust.ar([7/2,7])))*200+200).round(60),0,LFNoise1.ar
(3,1/2,1/2))/7}//#supercollider

And here’s an audio recording of the first 2:30 of the piece:

Raffa-SuperCollider

I took the street video by mounting a camera to my bike and riding home from school. I did a series of blob detection on different aspects of the video, and the alpha level of the blob colored visuals are based on the value of FFT ranges. The song is “Urban Shakedown ft. DBO General – Some Justice 95 aka Arsonist (Vocal mix)”.

This video is dedicated to Monday Night Vinyl Club.

A combination of film, video, photography, and interactive media art, Illustrating Noir looks to be a significant contribution to the exploration of noir.

Admission is free, and here are details:
Fine Arts Gallery, Parsons The New School for Design
25 East 13th Street, 5th Floor (map)
Open Daily noon-6 pm, and Thursday noon-8 pm

Here are two pieces that caught my eye while I went to the gallery to setup:

There are a ton of events, talks, and screenings, so definitely check the schedule and come to an event.

On the night before the testing, I finished the hardware portion improvements which includes a new aluminum arm for the camera mount and an enclosure for the camera. I removed the PS3 eye from its original encasing and reduced the size of weight and space the camera took up.

The main goals for this weekend was to rigorously test the software to see if it was stable enough for long performances and to see how musicians and artists dealt with the interface. I truly feel that the audio is enough feedback for performers to know where the playhead is, but I needed to put the new hardware in front of people and see. Also, up to this point, the majority of the people testing my project were from the MFA Design and Technology program, and I wanted a fresh set of eyes and ears on the project.

Here are a set of images from both days:

SATURDAY


SUNDAY


The results were great. I received a lot of feedback (and some encouragement) that will help me with the next steps of this project. The primary comment dealt with how best to provide the musician feedback as to what is actually happening and to help them make decisions on how to use the pieces. Some people preferred more audio feedback, such as more drastic changes between the sounds when pieces are rotated or differ in shape. Others preferred to have more visual feedback so the user would know the location of the rotating playhead.

I put together a brief sample of the performances, and here is the video:

I also put together an extended version that includes all of the performances from the weekend, so if your still feeling like exploring the results from the test, you can see the long player here.